Major

Art History/Arts Management

Research Abstract

Dante’s Divine Comedy had a substantial history of illustration before Sandro Botticelli (1444/5-1510) was commissioned by Lorenzo di Pierfrancesco de’ Medici to produce 102 drawings to accompany the text. Botticelli is often described as a studious, humanist artist, incorporating his understanding of classical texts and observational knowledge into his works. This research paper will explore the innovative nature of Botticelli’s series of drawings, especially as it relates to his graphic style, varying modes of composition, and conceptual priorities. It will also analyze the conceptual differences between the Inferno and Paradiso.

Faculty Mentor/Advisor

Professor Catherine Lusheck

Course

Renaissance Art, Professor Catherine Lusheck

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Apr 16th, 10:00 AM Apr 16th, 4:30 PM

The "Light of the Intellect": Botticelli's Drawings for Dante's Divine Comedy

Dante’s Divine Comedy had a substantial history of illustration before Sandro Botticelli (1444/5-1510) was commissioned by Lorenzo di Pierfrancesco de’ Medici to produce 102 drawings to accompany the text. Botticelli is often described as a studious, humanist artist, incorporating his understanding of classical texts and observational knowledge into his works. This research paper will explore the innovative nature of Botticelli’s series of drawings, especially as it relates to his graphic style, varying modes of composition, and conceptual priorities. It will also analyze the conceptual differences between the Inferno and Paradiso.