Title of Research Project

The Duomo in Milan: The Patronage of Carlo Borromeo During the Counter-Reformation

Major

Art History/ Arts Management

Research Abstract

The construction of Santa Maria Maggiore, also known as the Duomo in Milan, has an extremely long history. During the Counter-Reformation, Archbishop Carlo Borromeo oversaw the modifications to the dilapidated structure. These changes assisted the cathedral in changing its function as a civic thoroughfare back to a house of worship. Borromeo’s changes to the Catholic Church in the duchy of Milan adhered to the ecclesiastical amendments passed by the 25th session of the Council of Trent. While the Duomo remained unfinished during his lifetime, the patronage of Archbishop Carlo Borromeo left an indelible impression on post-Tridentine Milan and ecclesiastical architecture.

Faculty Mentor/Advisor

Professor Catherine Lusheck

Course

Art 302-01; Catherine Lusheck

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The Duomo in Milan: The Patronage of Carlo Borromeo During the Counter-Reformation

The construction of Santa Maria Maggiore, also known as the Duomo in Milan, has an extremely long history. During the Counter-Reformation, Archbishop Carlo Borromeo oversaw the modifications to the dilapidated structure. These changes assisted the cathedral in changing its function as a civic thoroughfare back to a house of worship. Borromeo’s changes to the Catholic Church in the duchy of Milan adhered to the ecclesiastical amendments passed by the 25th session of the Council of Trent. While the Duomo remained unfinished during his lifetime, the patronage of Archbishop Carlo Borromeo left an indelible impression on post-Tridentine Milan and ecclesiastical architecture.