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Submissions from 2023

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Tilted Upwards, Tanu Sankalia

Submissions from 2020

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A Situation: A Tree in Palestine, Liat Berdugo

Submissions from 2016

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The Ghost of Art Spaces, Liat Berdugo

Submissions from 2015

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Between Glorification and Catastrophization, Liat Berdugo

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Paul Durand-Ruel and the Market for Modern Art, 1870-1873, John Zarobell

Submissions from 2014

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Changing Minds to Changing the World: Mapping the Spectrum of Intent in Data Visualization and Data Arts, Scott Murray

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An Introduction, John Zarobell

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Dana Harel at the Palo Alto Art Center, John Zarobell

Submissions from 2013

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From New Delhi: India Art Fair, John Zarobell

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Water City Berkeley, John Zarobell

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Yang Fudong: Estranged Paradise, Works 1993–2013, John Zarobell

Submissions from 2012

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Barry McGee, John Zarobell

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Fred Wilson, John Zarobell

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International Orange, John Zarobell

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World Symbolism, John Zarobell

Submissions from 2011

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DEFEO, John Zarobell

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Hiding in Plain Sight, John Zarobell

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Manifest 770, John Zarobell

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San Francisco’s Indian Autumn, John Zarobell

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The Exploding Company Man and Other Abstractions, John Zarobell

Submissions from 2010

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Abstracting Space: Remaking the Landscape of Colonial Algeria in Second Empire France, John Zarobell

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Galleons and Globalization: California Mission Arts and the Pacific Rim, John Zarobell

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Huckleberry Finn, John Zarobell

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Introduction: Empire of Landscape, John Zarobell

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The Visionary Art of Morris Graves, John Zarobell

Submissions from 2008

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The Hybrid Sources of Frida Kahlo, John Zarobell

Submissions from 2006

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Jean Charles Langlois 1789-1870. Le Spectacle de l‘histoire, John Zarobell

Submissions from 2003

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Marine Painting in Mid-Nineteenth-Century France, John Zarobell